Jane Milford

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Information
Resides:
Status:
Awards: Order of Precedence
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Award & Office Badges

Introduction

Awards

 03/28/2009  Companion of the Manche
 09/30/2000  Award of Arms 
 11/23/2002  Companion of Terpsichore 
 09/23/2006  Companion of the Sable Compass (Iron Bog)
 05/30/2008  Companion of the Sable Gauntlet (Iron Bog)

Persona

Jane Milford used to be Jane of Milford, because I could only make early garb. Well, I can *still* make only early garb, but my nice garb is late period, which is great since that's when my research is from too!

The persona biography is wonderfully complicated... just like me!

Jane was born in France, where she and her sister Christianna were daughters of a merchant. They were both schooled in reading, writing, music, dance, and a bit of business. Christianna was more into the business end of things, while Jane was a bit more lady like. But, she was anything but prissy! She was courted by a gentleman, who (sadly) met his demise far to quickly.

Nervous that her sister was going to fail due to despair, Christianna paid for Jane to go to England, where she set her up with merchant friends of their fathers.

Once in England, Jane started a new life. One filled with courtiers who taught her the art of the rapier. She was able to use her upbringing to make a name for herself and maintain her lifestyle, with a a litle help from her sister and her friends - until she finally became a lady and was able to support herself.

Offices & Positions

1998 - 2000 - Dance Master: Rusted Woodlands 2002 - 2004 - Co-Dance Master: Carillion (with THL Don Justinian Timagenes) 2002 - 2008 - Co-Dance Master: Iron Bog (with THL Don Justinian Timagenes) 2008 - 2009 - Dance Master: Fred (this was the nickname for the Canton within the Barony of Bhakail. The Dance Master of the Barony of Bhakail during this time - and for years before - was Dafydd Cyhoeddwr)

Event Staff

  • Name of Position, Name of Event, mm/dd/yyyy
  • List in Chronological order, oldest to newest

Projects & Publications

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More Information

My research focuses on the sociology of English Country Dancing, specifically in how music, fashion, nutrition and medicine (with some social graces and politics) would have affected the dancing done by the noble/esquire classes in England, circa 1651. Although that is technically outside of the mandated SCA period, it is when the book(s) 'The [English] Dancing Master' started being published by John Playford, or 'Johnny'/'Johnny P.' as casually referred to by some SCA dance masters. Recently, the Lovelace Manuscript has given us an earlier peek into what English Country Dancing may have looked like as early as 25 years before the publication of the first edition of The [English] Dancing Master. This manuscript includes several dances also published by Playford, as well as several 'new' ones.

My original research, 'Origins of Playford Dance', traced back several popular English Country Dances through literary references.

In short: On November 7, 1650, a man named John Playford registered The English Dancing Master: OR Plaine and easie Rules for the Dancing of Country Dances, with the Tune to each Dance. John was a stationer (publisher) in London and already known for his “political tracts, miscellaneous non-musical works, music theory, lessons for various instruments, collections of songs, and psalms.” (1)

On March 19, 1651, the book was “printed by Thomas Harper, to be sold by John Playford, at his shop at the Inner Temple neere the Church doore”. (2) Between 1651 and 1728, 18 editions of ‘The [English] Dancing Master’ were published. John Playford has been credited for publishing the first seven editions; his son, Henry Playford has been credited for publishing the next four, and John Young has been credited for publishing the final six. Between the 3 of them, they are credited for publishing over 6,000 dances – including variations, duplications, tunes, and songs.

Although it is understood that the dances that were published, in The [English] Dancing Master, are not necessarily the original dances, dances with the same name have been documented from within SCA period. Therefore, it can be concluded that the dances documented within SCA period evolved into the dances published in The [English] Dancing Master.

Dances that were traced back to 1603 (death of Elizabeth I) or before, include:

  • The Cushion Dance - which first appeared in The Dancing Master: Edition 7 (1686) - to 1603, where the dance is called for in Thomas Heywood's play, 'A Woman Killed with Kindness'.
  • Greensleeves - which first appeared in The Dancing Master: Edition 7 (1686) - to 1596, where the dance is railed against in Thomas Nashe's 'Have With You Saffron-Waldon'.
  • Sellenger's Round - which first appeared in The Dancing Master: Edition 3B (1663)- to Ireland in the 1530s. Apparently, it was the house dance at St. Ledger's palace in Ireland, where it was so popular that it was brought to England and danced there as well.

(Note: To be fair, Sellenger's Round may have appeared first in the 3A edition (1657), however I have yet to find a copy to verify that one way or the other.)

Talk to me sometime to hear about the others!

As for the sociology parts that I'm currently researching, my focus is medicine and is starting to be music.

My medical focus is on *medicine*, post 1500. That is, focusing on curing diseases - primarily with elements, elixers, and tonics such as mercury, turpentine, sulpher, and opium to name a few. In addition to some popular herbal remedies (like tobacco), and studying astrology, astronomy, geomancy, alternative medical theories and the occult (in England) from 1500 - 1800. (The 18th century English & US medicine is my mundane practice.)